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Cold Mountain by Charles Frazier
Book Summary InformationAuthor: Charles Frazier Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2006-08-31 ISBN: 0802142842 Number of pages: 464 Publisher: Grove Press
Book Reviews of Cold MountainBook Review: "I Am Coming Home, One Way or Another..." Summary: 4 Stars
It's hard to describe Charles Frazier's debut novel, as it's like nothing else I've ever read. The only other book that I've ever had trouble reviewing has been the The Complete Conversations with God (Boxed Set), a series that makes for a rather awkward comparison considering it belongs in another genre altogether. The similarities between the two lie in the uniqueness of how the tales are told.
I'll start by saying that I watched the movie Cold Mountain (Two-Disc Collector's Edition) starring Nicole Kidman and Jude Law before reading the novel, which in hindsight, actually turned out in my favour. On reading the book I found myself captivated by the beautiful language and mellow pace of the story, something that was obviously lost in the film adaptation. Despite the film giving away the most important details of the plot, the change in the method of which the story was told meant that there were still several pleasant surprises to experience on the way. In particular, the romance between Inman and Ada is much more poignant and has a lot more weight when compared to the (rather flimsy) treatment of their love story in the film.
Inman is a soldier who should be dead from his neck-wound, but who survives and decides to desert in order to return to his beloved home on Cold Mountain, North Carolina, where his love Ada is waiting for him. On the journey home, Inman struggles against the dangers of a war zone and the weakness of his own healing body, meeting several intriguing characters along the way who either help or hinder him. Meanwhile, Ada (a socialite who finds herself stranded in the middle of nowhere after her father's death) struggles to maintain the derelict farmhouse she inherits. Thankfully, the help of a drifter named Ruby means that Ada gradually sheds her upper-class ways and learns how to live on the natural rhythms of the land (though she does manage to introduce Ruby to some English literature in return!)
With two such different stories, it's inevitable that some will enjoy one character's progress over the other. Much has already been said on Inman's Odyssey-like journey from the war to his home, but I found myself intrigued by the precarious situation that Ada finds herself in. Coming from such a wealthy and stable background, Ada has too much pride to return to her relations, and instead finds herself forced to become a laborer on her own land. Finding that her education, culture and social etiquette is completely useless in her new surroundings, Ada learns to live off the land - and Ruby considers it an achievement when Ada stops taking a book out into the fields with her (although Ada does manage to introduce Ruby to literature in the evening, including - you guessed it - The Odyssey (Penguin Classics)).
It is tempting to describe the book as a "Civil War book", given the historical background of the story itself, or as a "love story" considering the relationship between the two protagonists. Yet the novel is neither of these things, despite the fact that "Cold Mountain" centers around the themes of both love and war. As others have already mentioned, reading this book with the expectation of a Gone with the Wind type-story will lead to disappointment. Furthermore, the fact that the Inman and Ada spend most of the novel apart means that their initial courtship is told in mainly in the reveries of the two characters.
The Civil War is just the necessary catalyst to put our protagonists on their paths toward personal growth, understanding of their place in the world and a sense of peace. Technically, the Civil War could be any war. (Well not really, considering the care and detail that Frazier puts into describing the geographical beauty and culture of America's south, but that's beside the point). Likewise, the love between Inman and Ada is the goal that each are moving toward, but it is the symbol of home and stability that each personify to the other rather than a sense of "epic love" that make up the real basis of their relationship.
My point is, that this isn't a book about the historical impact of the Civil War or even a star-crossed lovers' tale. It's about the impact a war has on a select number of human beings, and how they deal with all the terrible consequences it has on the daily routines of life. Set against the chaos and destruction of war is the steady rhythm of nature and the turn of the seasons: inexorable and unchanging. And yet, that is simply *my* reading of the text - in a novel this rich and dense, there are endless possibilities for interpretation and understanding.
The language is what really draws you into the novel; it is poetic and dreamy without becoming pretentious or getting in the way of the plot itself. Even when Frazier draws out the story out into flashbacks or characters' reveries, there's always something interesting to be learnt. There are a few odd stylistic choices, the most obvious being that there are no speech marks. Instead, dialogue throughout the text is punctuated by a dash. However, since this technique is neither necessary nor distracting, there is little need to dwell on it save to point out that it's there!
One thing I will say though, in the inevitable comparison with Gone with the Wind. When reading Margaret Mitchell's novel, I felt that I was reading a part of history, something that happened a long time ago in a world that had long since disappeared. Frazier's novel however - whether by intent or accident - makes the Civil War feel like something that happened in my own lifetime. The characters and their lives are so immediate that I had to keep reminding myself that had Ada, Ruby and Inman been real people, they would have died hundreds of years ago. That thought surprised me.
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