Everyday Apocalypse Summary and Reviews

Everyday Apocalypse
by David Dark

Everyday Apocalypse
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Book Summary Information

Author: David Dark
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-12-01
ISBN: 158743055X
Number of pages: 160
Publisher: Brazos Press
Product features:
  • ISBN13: 9781587430558
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Everyday Apocalypse

Book Review: 1/2 of an interesting conversation
Summary: 2 Stars

Everyday Apocalypse begins with a description of the author's view of the word apocalypse. It defines apocalypse as revelation, the type of revelation that forces a change in lifestyle, a re-evaluation of priorities, a type that "cracks the pavement of the status quo." Dark's view of the current state of Christianity is best summed up in this statement: "I'm personally convinced that such market-driven theology will be viewed, historically, with at least as much embarrassment as, say, the medieval sale of indulgences."

Dark's opening is indeed intriguing. I can resonate with his frustration at a Christianity that serves only to make us comfortable rather than to change us. Indeed Jesus the revolutionary is rarely present in the big-hair world of TV preachers or in the conform-to-the-culture sensibilities of many of the mainline denominations.

The meat of the book, the inner six chapters, was a disappointment to me. Unsure what to expect I looked forward to seeing how Dark would integrate faith and pop culture, how the messages could be used to change lives, to see together how God's message shines through, intentional or not, in the products of our culture. Instead I felt that I was reading the personal journal of someone who was recording his thoughts on varying items, with no real point, reason or direction.

First up was the chapter on Flannery O'Connor, an author I am not familiar with. Dark reveres Ms. O'Connor, viewing anyone who enjoys her work as "electrocuted by divine fire." He goes on to provide superficial summaries of many of her works, and extract the items that make those stories interesting to him. The problem I found was that I did not see a point, other than Mr. Dark adores Flannery O'Connor in this chapter. The themes discussed are not unique, indeed I wonder if Mr. Dark has ever read things such as Stephen King's Needful Things, or any number of popular writings that delve into these themes very deeply and effectively.

The Simpsons is a show that I am very familiar with, and have been espousing the virtues of to many skeptics for years. This chapter I found laborious, as if I was reading Simpsons for Dummies or something of that ilk. While Dark does manage to accurately portray many elements of the program, he fails to address many of the subtleties of the show, nor to direct the reader on what to look for. Instead a journal of sorts again recounts favorite episodes in a manner wholly unfulfilling.

I have never listened to Radiohead. Feeling that perhaps I should engage this book on a different level, I made a trip to Best Buy and purchased OK: Computer as it was highly regarded by Mr. Dark. I spent time listening to this CD very carefully. I looked over the packaging, read through the booklet and studied the artwork. I listened to the CD again. I played it in my car. I listened to it at home. I then re-read the chapter on Radiohead. In short, I made every effort to take Mr. Dark's view of this band as apocalyptic and make it my own.

As I reflect on this experience I am again disappointed. While the music is interesting and indeed complex, I do not feel that it deserves the accolades presented by Everyday Apocalypse. One clear reason is that this is very inaccessible music, very anti-pop culture in its pure essence. While not a bad thing, some of the things that make it so are problematic to me. Dark rarely references the music (other than adjectives of beautiful, complex etc.), only the lyrics. The lyrics, while clear, are eminently unsingable and are swallowed up by the complex music behind them. As such, the listener is likely to miss them entirely if not paying close attention, hearing them only as another element to the complex sound. While interesting and unique, this approach does not often leave the audience pondering the meanings buried within.

Contrast Radiohead's Subterranean Homesick Alien with Tourniquet by Evanescence. The Radiohead piece is one that quickly blends together into a mood, a feeling, in which the guitar is the primary point of interest. Tourniquet drives hard, but leaves the listener wondering what exactly it all means and drives them to the liner notes, to the Internet, to conversation with others to discuss its meanings. To me that is far more apocalyptic in its effect on culture as a whole than Radiohead can ever hope to be.

I focus on the first three chapters because each of them represents a different level of familiarity with the material being discussed for me. The remaining three chapters are more of the same, journaling by Dark of the reasons he likes the movies & music discussed. This book is a one sided discussion of the material with little point or conclusion to me. Each of the points made would be interesting in a conversation, but without the opportunity for interaction they are hollow and unexciting.

Everyday Apocalypse is not without merit. The true stories of "living apocalyptically" in the last chapter are a fascinating example of what can happen if we take to heart the idea of Jesus as a cultural revolutionary. The point of the book is best summed up to me in this phrase:

If "God" then is to be more than the word we use as shorthand to describe what we prefer to believe, there will be tension between what we're doing and settling for and the in-break of divine revelation, the good purposes of God.

In summary I found glimpses of glory, but on the whole an unfulfilling book that felt like one side of a potentially interesting conversation. I found it interesting on the back to see one of the reviewers gush "He has been doing this in my living room for years." And indeed, I think that is where this conversation belongs.

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