Far from Main Street: Three Photographers in Depression-Era New Mexico Summary and Reviews

Far from Main Street: Three Photographers in Depression-Era New Mexico
by Russell Lee, Jack Delano, John Collier

Far from Main Street: Three Photographers in Depression-Era New Mexico
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Book Summary Information

Author: Jack Delano, John Collier, Russell Lee
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1994-05
ISBN: 0890132593
Number of pages: 88
Publisher: Museum of New Mexico Press

Book Reviews of Far from Main Street: Three Photographers in Depression-Era New Mexico

Book Review: A must-have book of the Depression Era, 1930s and 40s
Summary: 5 Stars

I purchased this book looking for photographs by John Collier, Jr., and found Russell Lee and Jack Delano, too. I absolutely must have more of their work and will continue to look. Looking back, it seems that in the 1960s, journalism photography was defined by action-packed scenes from the Vietnam War, but these photos of the 1930s and '40s are more a document of how people lived in these adobe villages of New Mexico, particularly around Taos, (but also the trainyards of Albuquerque, and Anglo villages like Pie Town). I had sought out Collier's photos because of their still-life art quality--and found more. All these photos are quiet; they are haunted, somber, and play in the imagination long after the book is placed back on the shelf. These photos are like objects of contemplation, meditations on a vanished way of life preserved forever on film, the faces of women and men, boys and girls captured for posterity.

Truly, I believe that the people in these photos were not poor--as we think of the Depression; they were rich in culture and family connection, rootedness to their villages. My favorite Collier photo is "Congregation leaving the church after mass, Trampas, New Mexico, 1943." The women are in their Sunday best clothing ("American" style), vulnerable to the wind and snow, but faithful to their customs and way of life, while the buildings all around are "quaint" adobe. The haunted quality of these b & w photos is similar to that of Ansel Adams's, "Moonrise, Hernandez, 1941"--depicting a Hispano village about to change forever because of World War II and the out-migration of villagers. Thank you forever to everyone involved with preserving these photos; soulful gratitude to the long-gone photographers.

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