Heaven and Hell to Play With: The Filming of The Night of the Hunter Summary and Reviews

Heaven and Hell to Play With: The Filming of The Night of the Hunter
by Preston Neal Jones

Heaven and Hell to Play With: The Filming of The Night of the Hunter
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Book Summary Information

Author: Preston Neal Jones
Brand: Limelight Editions
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2004-08-01
ISBN: 0879109742
Number of pages: 400
Publisher: Limelight Editions
Product features:
  • Published by Limelight Editions 400 Pages
  • The Filming of The Night of the Hunter by Preston Neal Jones
  • Author: Preston Neal Jones

Book Reviews of Heaven and Hell to Play With: The Filming of The Night of the Hunter

Book Review: A Compelling Look at What Film Histories Can Be
Summary: 5 Stars

Heaven & Hell To Play With: The Filming of The Night of the Hunter by Preston Neal Jones is by no means a trivial read, and it is its sheer density that makes it so special. Jones compiled numerous interviews and basically provides an oral history of what many consider a compelling masterpiece, offering as thorough a history as one could ask for. Yes, there is much detail here, and perhaps those not familiar with Laughton's film (or fond of it) may be overwhelmed, but consider for a moment what you have here.

How many of us dream of actually observing the creation and production of a favorite film? Jones provides just that -- even without interviews from Laughton or the principal performers (save Robert Mitchum and Lillian Gish), we see the film of Davis Grubb's novel being imagined, created, and released as described by those who were there, including Davis Grubb. Where a director's commentary on a DVD is typically a trifle, providing some interesting notes and observations limited by the film's running time, this book is all about immersion -- you almost feel you are there, and you're invited to stay for awhile. Jones rarely intrudes upon the first person accounts of the participants, and when he does, it's usually to point out potential discrepancies between remembered versions of events.

The "loose" narrative of oral history, any oral history, fills in an amazing amount of detail by accident, rather than by authorial intent, and this book leaves one feeling completely satisfied (or for those with shorter attention spans on the subject, perhaps a bit full) on a subject that seemed lost -- that we're seeing this book in 2002, nearly two generations separated from the film's creation, shows us the result of determined and dedicated sleuthing. This book can't have been easy to write or compile.

As presented, the book doesn't read like a typical film history, but more like an eyewitness account, and of course, that's what it is. If only more film books like this existed -- the greatest accomplishment of this book is not that you can walk away with facts -- it's that you can walk away feeling not only like you were there, but that you actually knew the participants, and could see where the social fabric between the personalities grew taut and relaxed at key points in the narrative.

Hats off to Jones -- a fine job, and one would hope, as novel in its execution as the film it describes, that will hopefully inspire imitation. Fans of the film are decidedly in your debt.

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