Imagining Nabokov: Russia Between Art and Politics Summary and Reviews

Imagining Nabokov: Russia Between Art and Politics
by Nina L. Khrushcheva

Imagining Nabokov: Russia Between Art and Politics
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Book Summary Information

Author: Nina L. Khrushcheva
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2008-01-09
ISBN: 0300108869
Number of pages: 256
Publisher: Yale University Press

Book Reviews of Imagining Nabokov: Russia Between Art and Politics

Book Review: Too much Russianness is Russia's Handicap
Summary: 5 Stars

The political argument is at the center of Nina Khrushcheva's book: Russia does not need to become American, but to combine its Russianness with some practical applications borrowed from other countries, i.e. Russians don't need to give up their Russianness, they need to give up the totality of their Russianness. If the philosophical idea at the center of this work is not strikingly original, the approach to it through Nabokov certainly is, and the text is refreshing in its avoidance of the didacticism and dryness of a political or philosophical tract. And its publication is certainly timely, as Russians continue to search for a way to reconcile their own history with the possibilities of democracy.
"Finally, sixteen years ago, when we became ready to exchange our communist collectivism for democratic individualism," Khrushcheva writes, "it was time to turn to new authors and new role models, renouncing the typical Russian worldview of communal values, mysticism, and the suffering of a the human soul, best defined by Fyodor Dostoevsky in his novels such as The Idiot, The Devils, and The Brothers Karamazov, etc. These qualities, he promised, would guarantee Russia's moral victory over the rest of the world.
For those tired of waiting for the nineteenth-century writer's unfulfilled prophesies, twentieth-century Nabokov never looked better: Russian and Western, an aristocrat and an orphan (an exile), traditional (in the sense that he's he was heir to the Russian literary and cultural traditions) and modern, national (Russian, American, European--something for everyone), and international.
Himself rejecting Dostoevsky, Nabokov offered a more constructive, more aesthetic, and more practical variant of the search for self-conception. Nabokov showed others how to live now--in a world with open borders, among different people, different countries, and different cultures. He showed us how to live in the new solitude of multiple worlds."

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