Lives of the Artists Summary and Reviews

Lives of the Artists
by Calvin Tomkins

Lives of the Artists
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Book Summary Information

Author: Calvin Tomkins
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-10-28
ISBN: 0805088725
Number of pages: 272
Publisher: Henry Holt and Co.

Book Reviews of Lives of the Artists

Book Review: A portrait of the motives and minds of some great artists
Summary: 5 Stars

In an instant gratification society where 15 minutes seems to be a long time and an hour devoted to one subject is almost a career, Tomkins explains how 10 of today's artists became great.

In brief -- it takes decades of devotion to a central alluring ideal. No artist sets out to do an instant $100,000 or $ 1 million work of art; instead, they create to explain the world as they see it. When they succeed, we lesser mortals call them great and pay them their due.

James Turrell is an example; he's worked since 1974 to turn an extinct volcano just west of Arizaona's Painted Desert into an innovative celestial observatory. Most people have heard of Stonehenge; his Roden Crater is the first innovative celestial artwork in 4,000 years.

Four thousand years from now, people will view his art and, if imagination is still riotous and ridiculous, they'll create legends of how it was built by Merlin and the Druids, or by Navajo medicine men and Coyotes. Terell may be a Trickster for a far distant future.

To start, he built and lived in a tiny log cabin for 19 months to study the crater's light and landscape. Sculpting the landscape is an ancient North American craft, as shown by the Moundbuilders. Watson Brake, in northeast Louisiana, was built 2,500 years before the great Egyptian pyramids, about 3,500 years before Stonehenge.

Egyptians built pyramids, as did the Maya and Aztec. Europeans built henges. In North America, the landscape is an inspiration from the Hudson River School to the Group of Seven to the Sedona buttes in the background of Krazy Kat cartoons and to Monument Valley where John Ford filmed his most notable westerns. Terrell continues a proud legacy.

The genius is not in the landscape; Tomkins explains how artists such as Terrell see something that slips invisibly past the vision of us mere mortals. He does a beautiful job of piecing together the artistry, dedication, skill and labour required to draw out a new vision from old familiar surroundings.

Art has an interesting evolution. For the Pharaohs, it was a sign of permanence. A painting of people baking bread meant the occupant of a tomb would have bread for eternity. Gradually, art evolved into picturesque and decorative.

Today's art explains things we cannot otherwise understand, such as Terell and his look into the universe. Tomkins makes it real for the average reader who cannot otherwise take part in such creativity, deftly explaining 10 significant modern artists.

All in all, a superb book about a usually unfathomable subject.





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