Love in the Time of Cholera (Oprah's Book Club) by Gabriel Garcia Marquez Summary and Reviews
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Book Reviews of Love in the Time of Cholera (Oprah's Book Club)
Book Review: The book is a bit repetitive in places but it is a delightful read
Summary: 5 Stars
It spans two entire lifetimes. It takes place between the end of the 19th Century and ends in the beginning of the 20th Century. Like all Marquez novels, this one is well written and a joy to read.
Marquez's use of fantasy realism is legendary and keeps the somewhat morose plot fun and moving. The main character stalks his lover in parks pretending to read on a bench as she passes by. His love becomes an obsession.
Marquez shows that love and the sadness it can bring is not for youth alone. It celebrates the powerful hold that true love can have on a man his entire life. This is a book that a man would enjoy as much as a woman. Also, if you missed reading Tino Georgiou's masterpiece--The Fates, go and read it. I'm loving this one.
Book Review: Disappointing
Summary: 3 Stars
I think this book may have lost something in translation: it was undoubtedly very funny in parts and there are definitely interesting characters and plots. But I found Florentino Arizo extremely irritating - rather unfortunately, seeing as he's one of the main people in it - and was not at all bothered whether or not he got his true love at the end.Book Review: chapter 2 and i dont knwo where i am
Summary: 2 Stars
Hi there,
after starting this book and reaching chapter two i still dont know what era we are in, what century and what country, nothing is explained and it is very slow.
Im hoping it gets better.
Book Review: Is love worth waiting for?
Summary: 3 Stars
Do you ever really get over your first love? Are all other relationships a form of escape from the fiery passion of that first love - even if it is unrequited? It wouldn't be spoiling the plot to tell you that Marquez's answers are no and yes respectively to those questions - but it does take a lot of words and reading to time to get there.
I found the central couple Florentino and Fermina very hard to like, whereas the pompous yet generous doctor that Fermina marries after rejecting Florentino is much more sympathetic. I didn't find the jumps between present day and several times in the past particularly annoying, but did long for Fermina and Florentino to finally get it together much sooner than the time-shifts permitted. The language is florid, and detailed, but didn't give me as much sense of place as I had hoped for.
Slightly disappointing - but I will read more Marquez.
Book Review: Absolutely no connection at all...
Summary: 1 Stars
Almost as mystifying as this book itself, is the love many people express for it. Marquez has a glittering reputation and a Nobel Prize on his mantelpiece but, on the basis of this, it is hard to see why. As ever with Marquez, there is a slow pace, characters with similar names, unmentioned time slips, a dash of misogyny, and unrequited lust. Quite why this somehow translates into a masterpiece is beyond me.
The story itself, far from being a tribute to passion, is nonsensical. A young man espies an attractive girl, and becomes besotted with her in a childish, immature way. After initially encouraging him, she spurns him. Contrary to my expectations of the book, it is not a story of unrequited but still-burning passion. He goes around screwing every woman in town (including a 14-year-old), periodically expressing crocodile tears of self-pity. She marries for money and prestige, but doesn't really regret it. Eventually...well, I won't spoil it, but things change at the end of their lives.
Both characters are miserable, self-indulgent, selfish, dull and unable to generate sympathy or empathy from the reader. They have no passion except to fulfil childish whims, conceits and tantrums. This is not love, unrequited or otherwise. This is self-obsessed angst.
The only area where the book succeeds is its' descriptions of the minutiae of a long-lasting marriage - the little accommodations, adjustments and unspoken admirations that keep a relationship on an even keel.
There are characters introduced as if they are important, and never mentioned again. There are whole periods where nothing of consequence happens; these are not compensated by descriptive passages of insight, beauty or exposition - they are just meandering prose. Perhaps it is all lost in translation from the Spanish. Or perhaps it was poor to begin with.
Above all, I resent the implication by many reviewers, that anyone who doesn't like this book is some kind of Dan Brown/John Grisham-loving moron, who is incapable of reading a book where something doesn't blow up every five minutes. For people who love this book, congratulations - but don't belittle those who don't with some kind of pathetic intellectual snobbery. Great writing is writing that connects. This doesn't connect with a vast number of readers, and appears to be written as if the author didn't even try.