Melmoth the Wanderer (Penguin Classics) by Charles Robert Maturin Summary and Reviews
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Book Reviews of Melmoth the Wanderer (Penguin Classics)
Book Review: The best Gothic novel ever written
Summary: 5 Stars
"Melmoth the Wanderer" is a tour de force of Gothicism, however, the psychological profundity of each character distinguishes this novel from typical examples of the genre. The multi-layered narrative, while occasionally confusing, is worth the concentration as Maturin weaves a complex and gripping tale. Of particular interest is the Tale of the Indian, which is concerned with the influence of Melmoth over Immalee, an innocent girl, alone on an Indian island. The description of her innocence is magnificent in its simplicity and effectiveness. An absolutely astounding, challenging and exciting book.Book Review: This book is deep, deep stuff
Summary: 3 Stars
Only the strongest minds should enter on grounds of this book. Very difficult to read some amazing strong areas, but some very very dull reading to get to them. Peter Tremayne said " I was fourteen years old when I first discovered a copy of Melmoth the Wanderer in my fathers library and tried to read it. 'tried' because I was obviously not sufficiently mature to understand the complexities of that masterpiece of gothic horror. My adult well educated, and well read mind could barely fathom this book.Book Review: Very long, VERY goth
Summary: 4 Stars
Let's dispense with the formalities. Melmoth the Wanderer is a really long, really verbose book. However, it is a MASTERPIECE of gothic literature. Its best parts (and there are many) surpass Poe's nightmarish tales for sheer paranoia and fear, but the inordinate amount of time Maturin takes to reach the next denoument in the story took away from my overall perception of the novel. Very long, and gothic to the point of absurdity. (you'll love it!)Book Review: The ultimate Gothic novel
Summary: 4 Stars
Published in 1820, Maturin's "Melmoth the Wanderer" is usually named as the last of the Gothic novels. Gothic here implies the incorporation of Burke's elements of the "sublime", wherein terror and sorrow invoke in the reader a heightened sense of empathy with the events unfolding in the narrative. Maturin pulls out all the stops of his time in creating situations of hopelessness, fear, and both religous and social sadism. Melmoth himself has sold his soul to the devil (will these people *never* learn? ;-) and attempts over the course of scores of years to find someone so desperate that they will take this "bargain" off his hands before the devil comes for his due. The novel is constructed of tales-within-tales, depicting the awful conditions the people Melmoth seeks out find themselves in. For example, the "Tale of the Spaniard" is told by a prisoner of the Inquisition (although this tedious tale takes over 120 pages to even GET to the Inquisition), whose life is still not so horrible that he would willingly trade place with the wandering Melmoth. The narrative is infuriatingly slow and convoluted, and only a perseverance surpassing the average will reward the patient reader with the creation of atmosphere that keeps this book on the "must read" list of true afficiandos of the supernatural. A minor note: Patrick O'Brian pays tribute to the author by naming one of contemporary literature's most well-known characters after him: half of the "Aubrey/Maturin" team of O'Brian's 19th-century novels of naval warfare.