Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991 Summary and Reviews

Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991
by Michael Azerrad

Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991
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Book Summary Information

Author: Michael Azerrad
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-07-02
ISBN: 0316787531
Number of pages: 528
Publisher: Back Bay Books

Book Reviews of Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991

Book Review: 3 and a half really...
Summary: 3 Stars

Our Ban Could Be Your Life (taken from a lyric in a Minutemen song) chronicles the independent music movement in post punk America by following 13 bands through the 80's and 90's. The bands profiled are Black Flag, Husker Du, Minutemen, Minor Threat, Fugazi, Mission of Burma, the Replacements, [...] Surfers, Sonic Youth, Beat Happening, Big Black, Mudhoney, and Dinosaur Jr. The book is broken up by band into chapters and is loosely chronological.

I'm sort of divided in how I feel about the book. On the one hand it conveys a pretty good sense of what it was like in the indie underground, the bridge between Punk and the Alternative boom of the 90's. On the other, it seems like it gets mired in it's stylistic template and it comes off like Azerrad is trying to hard to write two books in one. Whereas each chapter profiles a band, he often strays from the profile into talking about the movement as a whole losing site of the band in question. This was especially frustrating in the chapters on Mudhoney (which should really be a chapter on the Sub Pop label) and Beat Happening (which should really be on the K label.) Both bands seemed to be only skimmed in favor of talking about the region of music that spawned them or their label mates, while interesting doesn't do much of a service to the band and points to the overall topic as being a bit to wide reaching to fit into the specific template Azerrad chose to use.
Earlier in the book this works to great effect while spreading out the SST bands and illustrating how they interacted and effected the scene (Minutemen, Black Flag, Husker Du.)
I think the book would have been better served to focus on the various labels using bits of band history as emphasis, instead of short changing the bands.

The other issue I had was with Azerrad's inconsistencies in his descriptions of bands. Pretty much every band profiled was the best band in the world in their own chapter, while when mentioned in another chapter they might come off as inconsequential. In fact, every band apparently had the most important record of the decade.

Even though I seem to be harping on the book, I really do feel that it is an important look at a very interesting time in independent music, I just think it's hampered by a poor stylistic choice.

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