Purgatorio (Bantam Classics) Summary and Reviews

Purgatorio (Bantam Classics)
by Dante Alighieri

Purgatorio (Bantam Classics)
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Book Summary Information

Author: Dante Alighieri
Illustrator: Barry Moser
Translator: Allen Mandelbaum
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1984-01-01
ISBN: 055321344X
Number of pages: 448
Publisher: Bantam Classics

Book Reviews of Purgatorio (Bantam Classics)

Book Review: A masterful blend of poetry and theological innovation
Summary: 5 Stars

Dante's PURGATORY often fails to receive the appreciation accorded INFERNO or even PARADISE. The reasons are easy to see. Unlike the fascinating tour of hell, the denizens of Mount Purgatory lack the tragic dimensions of those found in the nether regions. Yes, they are suffering, but overall their situation is one for them to be happy about, since they clearly are marked for eventually reaching paradise. Their scenario contains infinitely more good news than bad news. Also, there are few passages in this work that can compare with such highpoints in INFERNO as the tales of Francesca or Ulysses.

Nonetheless, this is probably the most original of the three parts of Dante's COMEDY, and the one that has exerted the most actual theological influence. For that reason alone is essential reading. Nor is the work without considerable literary merit. The fact is that it is only dull in comparison with the extraordinary masterpiece that preceded it. Though sedate compared to its predecessor, the book contains a host of fascinating and brilliant details.

The historical importance of this work can scarcely be overestimated. Ideas about purgatory had been developing slowly over the millennium preceding the 12th century, and when Dante was writing PURGATORY in the early 14th century, there was surprisingly little consensus about the nature of purgatory. After Dante, however, there would be a widespread consensus on the details concerning purgatory. In this way, Dante exerted as much influence on the conception of purgatory as any of the theologians. Surely this is one of the few instances in church history where a creative artist bears the primary credit for theological dogma (I should add Catholic dogma, since protestants have never believed in the existence of purgatory). For instance, before Dante there was debate about where purgatory was located. In this world? In a section of hell? As an antechamber of paradise? Dante states that it is a place on earth, in the southern hemisphere, at the precise opposite of Jerusalem. What was the physical constitution of purgatory? Dante depicts it as an extraordinarily high peak (in fact, the highest mountain on earth) on an island, consisting of an ante-purgatory at the base, seven levels or terraces (hence the title of Thomas Merton's remarkable autobiography, THE SEVEN STORY MOUNTAIN), with an earthly paradise at the summit. Theologians had debated how long souls would reside in purgatory, many holding that they would remain until the final judgment. Dante depicts a process of limited duration, possibly extending to the final judgment, but far more likely ending before then. Before Dante, most conceived purgation taking place by fire, but Dante describes a variety of punishments depending on the type of sin, with fire reserved exclusively for the sin of lust. Many had debated whether purgation would take place with the assistance of demons or angels, but Dante clearly depicts benevolent angels aiding souls in their purification. Similarly, many wondered if purgatory could be better conceived as more closely akin to hell or paradise, but Dante unquestionably links it more closely with the latter, in that once one is in purgatory, one is on the path to paradise. Most importantly, prior theologians had conceived purgatory as a place where minor, unimportant sins were purged, and definitely not the major sins. But Dante conceives of purgatory as a place where only the mortal sins are purged, the seven levels dealing with pride, envy, wrath, sloth, avarice, gluttony, and lust in succession. Minor sins don't even show up on his moral radar. Before Dante, purgatory is a vaguely conceived place, but after this work it is vividly imagined.

As in his translation of INFERNO, Mandelbaum provides a beautiful and highly readable translation of Dante. We are lucky to have many superb translations of Dante in English, but this is clearly among the very best, and in fact might be for many readers the translation of choice. Certainly it has few if any rivals for both accuracy and beauty. One can obtain it either in this trade paperback edition or in a beautiful one-volume edition published by Everyman, containing all three parts of the COMEDY, though without the Italian text.

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