San Antonio Rose: THE LIFE AND MUSIC OF BOB WILLS (Music in American Life) Summary and Reviews

San Antonio Rose: THE LIFE AND MUSIC OF BOB WILLS (Music in American Life)
by Charles Townsend

San Antonio Rose: THE LIFE AND MUSIC OF BOB WILLS (Music in American Life)
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Book Summary Information

Author: Charles Townsend
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1986-10-01
ISBN: 025201362X
Number of pages: 498
Publisher: University of Illinois Press

Book Reviews of San Antonio Rose: THE LIFE AND MUSIC OF BOB WILLS (Music in American Life)

Book Review: A scholar's excellent appreciation of Bob Wills . . .
Summary: 5 Stars

Lovers of western swing owe a debt of gratitude to musicologist Charles Townsend, who spent many years collecting material for this wonderful biography of Bob Wills. In addition to many interviews with Bob and Betty Wills in the years (1971-73) before his death, Townsend talked at length to scores of people who worked with Wills and remembered him.

The great achievement of the book is its warm appreciation of Wills and his Texas Playboys and its evocation of a swath of 20th century social history, while standing also as a sound work of research. Each chapter is followed by pages of footnotes that cite his sources; there are 200+ photographs of Bob and the many bands, right up to the final reunion; and the book ends with a 30+ page discography, with details of every recording session from 1929-1973. The 19-page index also makes it an excellent reference book.

Townsend argues that Wills created a unique form of popular music by mixing instruments associated with both country music and jazz - strings on the one hand and drums, brass, and reeds on the other. He notes how Wills' distinctive style was a blend of frontier fiddle music, New Orleans Dixieland, and blues learned as a boy picking cotton with black field laborers. Not exactly country, and certainly not hillbilly - though he was often identified as such by recording marketers who seemed seldom to understand him - Wills often emulated the big swing bands of the 1930s and 40s. So his music acquired the label "western swing," and its popularity went from regional to national. Finally, with his best-loved hit "New San Antonio Rose" (1940) he entered the mainstream of American popular music.

While following the rise of Wills' career as a bandleader, Townsend focuses also on his personal problems, his many marriages, his financial difficulties, his insecurities, and his alcoholism. Also, the post-war years were never to match the satisfaction Wills had in his first band. But even while popular music evolved and left swing behind, Wills maintained a huge audience of devoted fans, and younger bands today (Asleep at the Wheel, Hot Club of Cowtown) continue the legacy. This book is for everybody whose love affair with Bob Wills and his music lives on.

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