The Eames Lounge Chair: An Icon of Modern Design
by Martin Eidelberg, Thomas Hine, Pat Kirkham, David A. Hanks, C. Ford Peatross
Book Summary Information
Author: C. Ford Peatross, David A. Hanks, Martin Eidelberg, Pat Kirkham, Thomas HineEdition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2006-04-30
ISBN: 1858943027
Number of pages: 189
Publisher: Merrell
Book Reviews of The Eames Lounge Chair: An Icon of Modern Design
Book Review: Lounging about
Summary: 5 Stars
At last a book about THAT chair. Thomas Hine, one of the contributors to this interesting book, writes a chapter about the way the chair kept popping up in all the right media and this probably helped it along to its iconic status. I was aware of the chair many years ago and kept seeing it in interior design photos, adverts, and anywhere that visually needed to project an upmarket ambience. Strangely I never saw anyone sitting in these chairs and I was surprised to find, when I bought one, that the back does not support one's head. A 1956 photo used in a Herman Miller ad shows a stockbroker friend of Charles Eames clearly with his head on the back, he was either a short guy or had moved well forward in the chair.
The book is a celebration of the fiftieth anniversary of the chair by five contributors with over two hundred illustrations. I thought Pat Kirkham's chapter on the chair's development the most interesting. There is a 1946 photo of a chair that is clearly a prototype for the final 1956 version. Another photo, from 1950 shows Billy Wilder sitting in this '46 version. Although Charles Eames designed the chair there was a huge technical input from Don Albinson who worked in the Eames Office.
The book is a handsome production, well thought out editorially and nicely designed and printed though there is a bit of unnecessary design whimsy with the chapter titled 'The Lounge Chair: idea to icon'. It has seventy-seven pages of photos and graphics with no page numbers, the captions are on three following pages where the illustrations are repeated as thumbnails with the relevant text, in fact the seventy-seven pages had enough space for these captions. Also I would have liked to have seen a technical drawing of the chair and ottoman with dimensions.
Despite a rather high list price I thought this book was a super reminder of a brilliant example of product design. The chair's status is surely growing because by 2004 over one hundred thousand had been sold and that most likely includes mine.
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