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The Golden Tulip: A Novel by Rosalind Laker
Book Summary InformationAuthor: Rosalind Laker Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2007-11-27 ISBN: 0307352579 Number of pages: 576 Publisher: Three Rivers Press
Book Reviews of The Golden Tulip: A NovelBook Review: (3.5) "His debauchery was taking its toll on his eyesight and his hands." Summary: 3 Stars
This ambitious novel is set in Holland at the end of the seventeenth century, decades after the tulip fever that raged across the small country, eventually bringing about a ruined economy for those who engaged in runaway speculation. Yet tulips remain a popular variety as well as a viable export, if in more judicious quantities. Even more notable in this period is the level of respect given by the public to accomplished artists. In Amsterdam, Rembrandt has reached the peak of his genius, the chiaroscuro technique competing with the light-filled canvasses of Johannes Vermeer. A successful student of the painter Frans Halls, Hendrick Visser earns a decent living for his wife and three daughters; but Hendrick's fatal flaw is an overweening ego and penchant for gambling, frequently putting his family's fortunes in jeopardy.
It is, in fact, Visser's gambling that thrusts his family into circumstances that cause his eldest and most talented daughter, Francesca, to face an uncertain future at the hands of a devious suitor who threatens Hendrick with financial ruin. Both Francesca and her sister, Aletta, have aspirations of becoming painters like their father. After the death of their mother, Francesca is finally allowed to receive training from Johannes Vermeer, her skill in capturing light similar to that of the popular artist. But thanks to her father, a cloud hovers over Francesca's future, Visser's bargain with the devil, ship broker Ludolf van Deventer, robbing the girl of the joy of her apprenticeship with Vermeer. The other sisters suffer for their father's duplicity as well, but all remain loyal and respectful to the man whose self-centeredness will determine their futures. With Holland on the cusp of war with an aggressive Louis XIV, unrest permeates even the artistic world, the country restive under William of Orange, dreading a confrontation with France.
Upon this complicated palette the sister's stories unfold, Francesca determined to win the approval of the Guild, Aletta's path more complicated, Sybylla's more selfish. Like an evil spider, van Deventer remains the family's nemesis, skillfully manipulating Francesca's environment, while scheming behind a façade of gentility to cement his position in Holland's future. Given the social constraints of the seventeenth century, Hendrick has every right to make the decisions that obligate his daughters. In spite of their troubles, it is the pursuit of artistic excellence that that binds this family, the smell of paint and brushes, the light-drenched studios where life transcends the ordinary, canvasses depicting an idealized world in the face of war. While engaging in personal battles to define their lives, the sisters remain committed to one another's best interests, Hendrick's failures feeding their successes in spite of dire circumstances.
My one issue with the novel is the oversimplification of the male figures, Laker's predictable villains lacking nuance, her heroes handsome and without fault, the female characters more delicately drawn than the stereotypical good guys vs. bad guys that limit the emotional range of The Golden Tulip. The noble Francesca is the helpless damsel in distress, hands and feet bound, an oncoming train bearing down on her, waiting for her rescuer. To be fair, this character does her best given the paucity of opportunity offered by society, confined only by the imagination of her creator. Luan Gaines/ 2007.
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