The Grove Book of Operas Summary and Reviews

The Grove Book of Operas

The Grove Book of Operas
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Book Summary Information

Editor: the late Stanley Sadie
Editor: Laura Macy
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2006-11-06
ISBN: 0195309073
Number of pages: 784
Publisher: Oxford University Press, USA

Book Reviews of The Grove Book of Operas

Book Review: The expected Grove quality and at a very competitive price.
Summary: 4 Stars

A professional's view is as essential to one's understanding of the history and meaning behind the music/staging of opera as in any other academic subject. The Grove guide is in effect a cut-down version of the 4 volume Grove dictionary. It contains all the material that the majority of people would most frequently consult in the aforementioned work, while leaving out content that only the most committed afficionado would demand and actually use. The result is one is left with a far more user-friendly reference tool and at a fraction of the cost. Each entry is concisely written, and includes an history of the production, the original cast and detailed plot synopsis. Reading time is around 15-20 minutes per opera. This proves ideal if one wants to quickly brush-up on a plot before going to see a perfomance or become readily acquainted with a new opera when deciding whether to purchase a new recording. The range of operas covered is impressive yet this does not lead to a compromising on the detail supplied of each. It is certainly superior to most other guides of a similar nature/price. For myself the hard-back cover was also an attraction.

My one major criticism was the lack of a time-line/chronology of works in one place. This may seem a rather small detail, indeed most people would find the alphabetical ordering of the book more accessible. However, when one wishes to see where an individual work fits in to an individual composer's overall list of works (or into a particular musical period) this can only be done through lengthy cross-referencing. Another welcome addition would have been a recommended recording for each opera - especially for some of the lesser known works that are often not readily available. For these to be my real reservations with the book, however, tells you about it's strength in other areas. Indeed, if all this was included in the guide it would be very difficult for one to justify the purchasing of the 4 volume dictionary.

Overall, congratulations to Grove for making their opera material available to greater numbers by offering a very affordable alternative to those who were loathe to purchase the full dictionary.

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