Vertigo (BFI Film Classics) Summary and Reviews

Vertigo (BFI Film Classics)
by Charles Barr

Vertigo (BFI Film Classics)
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Book Summary Information

Author: Charles Barr
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-04-26
ISBN: 0851709184
Number of pages: 88
Publisher: British Film Institute

Book Reviews of Vertigo (BFI Film Classics)

Book Review: Experience Vertigo at New Heights!
Summary: 4 Stars

Although I have always enjoyed the movie Vertigo, it was never on my list of favorite Hitchcock movies, preferring North By Northwest and Rear Window even more. Charles Barr's book VERTIGO may not have changed my opinion but it certainly allows me to understand why someone else would disagree with my personal ranking. The book explores Vertigo on several different levels allowing for a richer appreciation of the movie.

As Barr notes, Vertigo is unlike many other Hitchcock movies in that it is more about the relationship of the characters played by Jimmy Stewart and Kim Novak than it is about the criminal plot. In fact, again unusual for Hitchcock movies, the plot twist, the scheme by which murder has been committed, is revealed not at the end of the movie but rather about two-thirds of the way into it. This allows the remaining forty or so minutes to focus on the interactions between the characters. That Novak is playing a dual role and all the characters are working with different levels of knowledge at different times makes this all the more interesting.

One part of VERTIGO that I find fascinating is the theory that Jimmy Stewart actually dies at the beginning of the film after hanging from the rooftop. The viewer never sees him rescued and therefore, so the thought goes, everything that follows (basically the whole movie) takes place in his head while hanging, falling and dying.

Usually I do not go for such metaphysical theories unless there is a solid basis of support. Here there is. Barr introduces the reader to the author Ambrose Bierce who wrote a story using the same plot device. Clues of Bierce's presence are placed throughout the movie and one of the screenwriters made an elliptical, though nonetheless explicit, reference to Bierce with respect to the story. Although this theory of Stewart's death at the beginning of Vertigo may be a minority opinion, it is nonetheless valid and quite interesting.

Film criticism being what it is, Barr throws in a number of phrases that come off as hoity-toity. But I never had the feeling that he was speaking down to the reader. The British Film Institute guides are usually fairly well written and informative and VERTIGO is no exception.

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